2022

"The Forrest Bess Variations", Greene Naftali, New York

2020

Galerie Buchholz, Berlin

2019

“Bait Paintings”, Greene Naftali, New York

2018

“Collage Paintings, Gesture Paintings”, Galerie Buchholz, Berlin
“To the House of Shibusawa”, Galerie Buchholz, Berlin
“Hotel Suicide”, Greene Naftali, New York

2016

"Norogachi: Ceramics After Artaud", Greene Naftali, New York
"This Anal Crime of Being: New Ceramics", Goton, Paris
“Being and its Fetuses: New Ceramics”, Galerie Buchholz, Cologne

2015

“New Work”, Richard Telles Fine Art, Los Angeles
“New Work”, Jenny’s, Los Angeles
“Hijikata Twist”, Corvi-Mora, London

2014

“Hijikata Twist”, Tate Liverpool, Liverpool

2013

Le Consortium, Dijon
Richard Telles Fine Art, Los Angeles

2012

Greene Naftali, New York

2011

“Smoke-Smoke Salome”, Galerie Buchholz, Cologne
“Scalps, Dungeon Doors and Salome Paintings”, Galerie Daniel Buchholz, Berlin
“Richard Hawkins: Third Mind”, Hammer Museum, Los Angeles

2010

Corvi-Mora, London
“focus: Richard Hawkins: Third Mind”, The Art Institute of Chicago (cat)
Richard Telles Fine Art, Los Angeles

2009

Greene Naftali, New York
Corvi-Mora, London

2008

“Celestial Telegraph Paintings”, Galerie Daniel Buchholz, Berlin
Galerie Daniel Buchholz, Köln
Galerie Daniel Buchholz, Berlin (with Aaron Curry)

2007

“Of Two Minds, Simultaneously”, de Appel Institute for Contemporary Art, Amsterdam
Richard Telles Fine Art, Los Angeles

2006

Corvi-Mora, London
“Urbis Paganus Part I + III”, Galerie Daniel Buchholz, Köln
Greene Naftali, New York

2004

Richard Telles Fine Art, Los Angeles
Corvi-Mora, London
Galerie Daniel Buchholz, Köln

2003

Kunstverein Heilbronn, Heilbronn
Galerie Praz-Delavallade, Paris
Richard Telles Fine Art, Los Angeles

2002

Galerie Daniel Buchholz, Köln
Corvi-Mora, London

2001

Galerie Praz-Delavallade, Paris

2000

Richard Telles Fine Art, Los Angeles
Corvi-Mora, London
Galerie Daniel Buchholz, Köln

1999

Richard Telles Fine Art, Los Angeles
Galerie Praz-Delavallade, Paris

1998

Ynglingagatan 1, Stockholm

1997

Richard Telles Fine Art, Los Angeles

1996

Feature, New York
Richard Telles Fine Art, Los Angeles

1995

Richard Telles Fine Art, Los Angeles
Ynglingagatan 1, Stockholm

1993

Richard Telles Fine Art, Los Angeles
Feature, New York, NY

1992

Mincher/Wilcox Gallery, San Francisco
Roy Boyd Gallery, Santa Monica

2019

Richard Telles Fine Art, Los Angeles (with John
McAllister)

2021

"The Sky I Live In", Lyles & King, New York
"Houseguest: Shadows Fall Down", Hammer Museum, Los Angeles
Greene Naftali, East Hamptons, New York
"From Disco to Disco", Greene Naftali, New York

2019

“Maskulinitäten”, Bonner Kunstverein, Bonn / Kölnischer Kunstverein, Cologne / Kunstverein für die Rheinlande und Westfalen, Düsseldorf
“My Head is a Haunted House”, curated by Charlie Fox, Sadie Coles HQ, London
“Dracula’s Wedding”, curated by Charlie Fox, Rodeo, London
“Machine of Instant Utility”, Cabinet, London
“Pacific Rim Job”, Richard Telles Fine Art, Los Angeles
“Dirty Protest: Selections from the Hammer Contemporary Collection”, Hammer Museum, Los Angeles
“Open House: Elliott Hundley”, curated by Elliott Hundley and Bryan Barcena, Museum of Contemporary Art, Los Angeles
“The Orchid and the Wasp”, Robert Heald Gallery, Wellington

2018

"Sperm Cult", LAXART, Los Angeles
"Tom House: The Work and Life of Tom of Finland", Museum of Contemporary Art Detroit, Detroit

2017

“Strange Attractors: The Anthology of Interplanetary Folk Art Vol. 1. Life on Earth”, Redling Fine Art, Los Angeles
“Section Littéraire”, Kunsthalle Bern
“Living Apart Together: Acquisitions from the Hammer Contemporary Collection”, Hammer Museum, Los Angeles
“In the Hopes of Not Being Considered”, Kate Werble Gallery, New York

2016

“Between Something and Nothing”, Richard Telles Fine Art, Los Angeles
“Me, Myself, I”, China Art Objects, Los Angeles

2015

“Theory of Achievement”, Yale Union, Portland
“Classicicity”, curated by Ruth Allen and James Cahill, Bresse Little, London
“Z-ing”, Richard Telles Fine Art, Los Angeles
“Works on Paper”, Greene Naftali Gallery, New York
“Collecting Lines. Drawings from the Ringier Collection (Chapter I + II)”, curated by Arthur Funk and Beatrix Ruf, Villa Flora, Winterthur (catalogue)
“Picasso in der Kunst der Gegenwart / After Picasso: 80 Contemporary Artists”, Deichtorhallen, Hamburg / Wexner Center for the Arts, Columbus (catalogue)
“Your smarter than me. i don’t care”, Williams College Museum of Art, Williamstown

2014

"Richard Hawkins & William S. Burroughs, Cerith Wyn Evans, Isa Genzken, Tom of Finland", Galerie Buchholz, Berlin
"Saying yes to everything", Honor Fraser, Los Angeles
“The Crime Was Almost Perfect”, PAC Padiglione d’Arts Contempoanea, Milan; Witte de With Contemporary Art, Rotterdam (cat)

2013

Federica Schiavo Gallery, Rome
“A Point of View: Selected Gifts from the Laurence A. Rickels Collection”, MOCA, Los Angeles

2012

“Automaton”, Galerie Buchholz, Cologne

2011

“Cornfabulation”, David Kordansky Gallery, Los Angeles
“Camulodunum”, Firstsite, Colchester (cat)
“Quodlibet III – Alphabet and Instruments”, Galerie Bucholz, Berlin
“Weekend In Valmouth”, Ancient & Modern, London

2010

"BigMinis", CAPC Musée d'art Contemporain, Bordeaux
“The Page”, Kimmerich, New York
“Sur Le Dandysme Aujourd’Hui”, Centro Galego de Arte Contemporanea, Santiago de Compostela (cat)

2009

"Beg Borrow and Steal", Rubell Family Collection, Miami (cat)
"Rotating Views No.2 - Works from the Astrup Fearnley Collection", Astrup Fearnley Museum of Modern Art, Oslo, Norway
"Round Up", Richard Telles Fine Art, Los Angeles
"Quodlibet" Galerie Daniel Buchholz, Cologne
"Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection", Museum of Modern Art, New York (cat)
"Das Gespinst", Museum Abteiberg, Monchengladbach, Germany

2008

“Three Black Minutes”, Künstlerhaus Stuttgart, Stuttgart
David Kordansky Gallery, Los Angeles
Greene Naftali, Los Angeles
“Just Different”, Cobra Museum of Modern Art, Amstelveen, NL
“Index: Conceptualism in California from the Permanent Collection”, Museum of Contemporary Art, Los Angeles
“Painting Now and Forever, Part II”, Greene Naftali/Matthew Marks, New York
“You, Whose Beauty was Famous in Rome”, Mandarin Gallery, Los Angeles
“Fit to Print”, Gagosian Gallery, New York

2007

“If Everybody Had An Ocean. Brian Wilson An Art Exhibition", CAPCX Musée d'art Contemporain, Bordeaux; Tate St. Ives, St. Ives, UK
“Strange Events Permit Themselves the Luxury of Occurring”, Camden Arts Centre, London
“Post Rose: Artists In and Out of the Hazard Park Complex”, Galerie Christian Nagel, Köln
“Makers & Modelers: Works in Ceramic”, Gladstone Gallery, New York
“Uneasy Angel / Imagine Los Angeles”, Monika Sprüth Philomene Magers, München
“You Always Move in Reverse”, Leo Koenig Gallery, New York (curated by Bjarne Melgaard)
“Good Morning, Midnight”, Casey Kaplan, New York (curated by Bruce Hainley)
“L.A. Desire (Part II)”, Galerie Dennis Kimmerich, Düsseldorf (curated by Wilhelm Schürmann)
“L.A. Desire (Part I)”, Galerie Dennis Kimmerich, Düsseldorf (curated by Wilhelm Schürmann)
“STUFF: International Contemporary Art from the Collection of Burt Aaron”, Museum of Contemporary Art Detroit, Michigan
"RAW Among The Ruins", MARRES Centre for Contemporary Culture, Maastricht
“Rita McBride” / “The Candidate by Richard Hawkins”, Schürmann, Berlin
“Flipside Exterior”, Overduin and Kite, Los Angeles (curated by Richard Hawkins)
“Good Morning, Midnight”, Casey Kaplan, New York

2006

“Red Eye. LA Artists from the Rubell Family Collection”, Rubell Family Collection, Miami
“Under Pressure”, Art:Concept, Paris
Richard Telles Fine Art, Los Angeles
“Among the Ash Heaps and Millionaires”, Ancient & Modern, London
“Elective Identities”, Galerie Daniel Buchholz, Köln
“The Swan Is Very Peaceful…”, Richard Telles Fine Art, Los Angeles
Galerie Daniel Buchholz at Metro Pictures, Metro Pictures Gallery, New York
Shane Campbell Gallery, Oak Park, Illinois
Attese Biennale di Ceramica nell' arte Contemporanea, Albissola Marina, Vado Ligure (cat)

2005

“The Blake Byrne Collection”, Museum of Contemporary Art, Los Angeles (cat)
“Paris-Londres: Le Voyage Intérieur”, Espace Electra, Paris
“plip, plip, plippity”, Richard Telles Fine Art, Los Angeles

2004

“Teil 2, Quodlibet”, Galerie Daniel Buchholz, Köln
“shortlybeforeafter”, The Photographic Collection, Cultural Foundation, Köln
“3-Day Weekend”, Central Park, New York (curated by Dave Muller)
“Powered by Emotions”, Frankfurter Kunstverein, Frankfurt (in conjunction with Ursula Blickle Stiftung)

2003

“Wit From Rainbow Part 1”, The Project, Los Angeles (curated by Katie Brennan)
“Hans Broek, Taft Green, Richard Hawkins”, Richard Telles Fine Art, Los Angeles
“Honey, I rearranged the collection”, 1a Kempsford Road, London
“Ishtar”, Midway Contemporary Art, St. Paul, MN (curated by Bruce Hainley) (cat)

2002

“Phil”, Hollywood, Los Angeles
“The Galleries Show: Contemporary Art in London”, The Royal Academy of Arts, London
“Sammlung Schürmann”, K21 Kunstsammlung in Ständehaus, Düsseldorf
“Works from the collection of Sammlung Schürmann”, Kunsthalle Baden-Baden, Baden-Baden (cat)
“L.A. On My Mind: Recent Acquisitions from MOCA's Collection”, Museum of Contemporary Art, Los Angeles
“Grey Gardens”, Michael Kohn Gallery, Los Angeles (curated by Bruce Hainley)
“Mirror Image”, UCLA Hammer Museum, Los Angeles
“Richard Hawkins, Stan Kaplan, Pae White”, Richard Telles Fine Art, Los Angeles
“Crisp”, Marianne Boesky Gallery, New York
“Dragueur”, Transmission Gallery, Glasgow

2001

“Heads or Tails”, Galerie Praz-Delavallade, Paris
“The Communications Department”, Anthony Wilkinson Gallery, London (curated by Alex Farquharson)

2000

“Thirty Curators”, Concept Art Gallery, Pittsburgh
“Hairy Forearm's Self-Referral”, Feature, New York
Galerie Daniel Buchholz, Köln
“2002”, M du B, F, H & g, Montreal
“Unravelling Desire”, Center for Curatorial Studies, Bard College, Annandale on
Hudson, New York (curated by Gregory Sandoval) (cat)

1999

“Art in the Age of the Consumer: Works from the Collection of the Museum of
Contemporary Art”, Feldman Gallery, Pacific Design Center, Los Angeles
“Curious.parking@stupendous.strawberry”, Galerie S&H Buck, Gent, Belgium (cat)
“Persuasion: tales of commerce and the avant-garde”, University of Buffalo Art Gallery, Buffalo (cat)
“Youth Studies”, Post, Los Angeles
“Etcetera”, Spacex Gallery, Exeter

1998

“Head”, Spanish Kitchen, Los Angeles
“The Unreal Person: Portaiture in the Digital Age”, Huntington Beach Art Center, Huntington Beach, CA (curated by Irit Krieger) (cat)
“Science”, Feature, New York
“Fantastic Matter of Fact”, Galerie Krinzinger, Vienna (curated by Dave Müller)
“Codex USA: works on paper by American artists”, Entwistle, London
“More”, Xavier La Boulbenne, New York (curated by Tony Payne)
“In Your Face”, The Warhol Museum, Pittsburgh
“Hollywood Satan”, Mark Moore Gallery, Santa Monica
“He Swam Down, Away”, Audiello Fine Art, New York (curated by Tony Payne)
“More”, XL Gallery, New York (curated by Tony Payne)
“WOp: works on/off paper”, ANP, Antwerp
“Richard Hawkins, Scott Hug, Jeff Ono”, Feature, New York

1997

“Yardsale”, Special K. Exhibitions, Los Angeles
“Scene of the Crime”, Armand Hammer Museum of Art and Cultural Center, UCLA, Los Angeles (curated by Ralph Rugoff)
“Gnarleyand”, Feature, New York
“Hello”, Feature, New York
“Chill”, University of California Gallery, Irvine

1996

“Ginny Bishton, Richard Hawkins, Pae White”, Richard Telles Fine Art, Los Angeles
“How will we behave?”, Robert Prime, London
“Tangles”, Otis Gallery, Otis College of Art and Design, Los Angeles
“Nirvana: Capitalism and the Consumed Image”, Center of Contemporary Art, Seattle

1995

“In a Different Light”, University Art Museum, Berkeley (curated by Nayland Blake & Larry Rinder) (cat)
“Narcissistic Disturbance”, Otis Gallery, Otis Gallery of Art & Design, Los Angeles (curated by Michael Cohen) (cat)
“Youth Culture Killed my Dog (But I Don't Really Mind)”, TBA Exhibition Space, Chicago (cat)
“Smells Like Vinyl”, Roger Meriams Gallery, New York
“It's Only Rock & Roll: Rock & Roll Currents in Contemporary Art”, Phoenix Art Museum, Phoenix (curated by David S.Ruben) (cat)
“The Moderns”, Feature, New York (curated by Tony Payne)
“Crystal Blue Persuasion”, Feature, New York

1994

“Tiny Shoes”, New Langton Arts, San Francisco
“Slice & Dice”, Gallery 400, University of Illinois at Chicago (curated by Susan Sensemann)
“Red Rover”, Three Day Weekend, Los Angeles (curated by Jory Felice) (cat)
“Second Skin”, Espace, San Francisco (curated by Charles La Belle)
“The Use of Pleasure”, Terrain, San Francisco (curated by Robert Nickas) (cat)
“Mechanical Reproduction”, Galerie Van Gelder, Amsterdam (curated by Jack Jaeger) (cat)
“Interdisciplinary”, Woodbury University Art Gallery, Burbank (curated by Sue Spaid)
“And”, Feature, New York Contemporary Art, Los Angeles (curated by Ann Goldstein)
“Pure Beauty: Some Recent Works from LA”, American Center, Paris; Museum of Contemporary Art, Los Angeles (curated by Ann Goldstein

1993

“This Can't Be Love”, Clay Doyle Gallery, Los Angeles
“Commodity Image”, International Center of Photography, New York; Institute of
Contemporary Art, Boston; Kunsthal Rotterdam, Rotterdam, The Netherlands; Laguna
Art Museum, Laguna Beach; High Museum of Art, Atlanta (curated by Willis Hartshorn)
“Stoned (HighLow)”, Ruth Bloom Gallery, Santa Monica (curated by Veralyn Behenna & Rick Pirro) (cat)
“Trisexual”, TRI, Los Angeles
“Home Alone”, Bliss, Pasadena (curated by Michael Cohen)
“Caca”, Kiki, San Francisco
“Richard Hawkins, Jennifer Pastor, Lily Van der Stokker”, Feature, New York

1992

“In Pursuit of a Devoted Repulsion”, Roy Boyd Gallery, Santa Monica
“Hollywood, Hollywood: Identity Under the Guide of Celebrity”, Art Center College of Design, Pasadena, (curated by Fred Fehlau) (cat)
“Man Alive”, Dooley Le Cappelaine, New York
“True Grit”, B.B.La Femme Gallery, San Diego
“The Mud Club, Winchester Cathedral & Lake Nairobi”, Gahlberg Gallery, Arts Center, College of DuPage (curated by Hudson) (cat)
“Trouble Over So Much Skin”, Feature, New York

1991

“Examples Cool and Lonely”, Roy Boyd Gallery, Santa Monica (portfolio of lithographs)
“Situation: Perspectives on Lesbian and Gay Artists”, New Langton Arts, San Francisco (curated by Pam Gregg & Nayland Blake) (cat)
"Presenting Rearwards”, Rosamund Felsen Gallery, Los Angeles (curated by Ralph Rugoff) (cat)
“The Rock Show”, Southern Exposure, San Francisco
“Richard Hawkins, B.Wurtz, Jory Felice”, Roy Boyd Gallery, Santa Monica
“Stussy”, Feature, New York

1990

“Que Overdose!”, Mincher/Wilcox Gallery, San Francisco (curated by Nayland Blake) (cat)

1989

“Loaded”, Richard Kuhlenschmidt Gallery, Los Angeles (curated by Tony Greene & Jeff Beall) (publication)
“HoHoHoMo”, Feature, New York

2013

“Bob Mizer & Tom of Finland”, Museum of Contemporary Art, Los Angeles (co-curator with Bennett Simpson)

2008

“Flipside Exterior”, Overduin & Kite, Los Angeles (curator)

1993

“Untitled”, by Frances Stark, Los Angeles Contemporary Exhibitions, Los Angeles (editor)

1991

“Score”, a novella by Craig Lee, privately published, Los Angeles (co-editor with Dennis Cooper)
“Sweet Oleander”, an exhibition of work by Tony Greene, Los Angeles Contemporary Exhibitions, Los Angeles (curator)
“Exhausted Autumn”, A Collection of Fiction, Criticism, and Testimony for the Exhibition “Sweet Oleander”, Los Angeles Contemporary Exhibitions, Los Angeles (editor)
“New Trends in Criticism”, a panel discussion, OutWrite Gay and Lesbian Writer's Conference, San Francisco (panelist)

1989

“Against Nature”, Los Angeles Contemporary Exhibitions, Los Angeles (cat)

1988

“Chains of Bitter Illusion”, collaborative wall painting with Tony Greene, Los Angeles Contemporary Exhibitions, Los Angeles
“AIDS and Democracy”, a panel discussion organized by Group Material, DIA Art Foundation, New York (panelist)

2022

Richard Hawkins, “When Forrest Bess Wrote to Carl Jung”, Frieze June 3

2013

Richard Hawkins, “Fragile Flowers”, Les Presses du Reel, Paris
“Paper Tricks: Richard Hawkins on Bob Mizer and Tom of Finland”, The Curve/MOCA, November 27

2008

“Rachel Harrison, Enigmarelle The Statuesque”, Parkett, No.82, pp.120-129

2007

Megan Sullivan and Francesca Lacatena, “Research on Tamotsu Yato”, MAT # 2, Berlin, pp.13-16

2004

“Postmortem: Devil May Sign”, ArtUS, June/August, pp.44-45

1992

Kevin Killian and Dodie Bellamy, Mirage #4/Period(ical) #1, San Francisco
Mark Ewert and Mitchell Watkins, Ruh Roh!, Issue One, Winter, published by Feature, New York and Instituting Contemporary Idea, pp.140-144 (reproduction)
Wayne Smith and Rex Ray, “The Magician, ME”, Some Weird Sin, San Francisco
“Paul McCarthy”, Art issues, March/April, p.37

1991

“Grim”, The Body, The Renaissance Society at the University of Chicago, Chicago (cat)
Dennis Cooper, “Sleepy Hollow”, Discontents, Grove Press, New York
“Dennis Cooper”, Detour, June
“Ghostwritten”, essay for exhibition catalogue ‘Exhausted Autumn’, Los Angeles Contemporary Exhibitions, Los Angeles, pp.72-75
“Filthy Feast”, short story

1990

“RE: Punch Agonistes”, an essay, Richard Kuhlenschmidt Gallery, Los Angeles
“Shut Up”, Framework Magazine, Fall, Vol.3, Issue 2-3, pp.40-41
“Dear World”, Dear World, San Francisco, pp.86-87
Dennis Cooper, “A Collection of Seven Pieces”, Farm, Feature, New York, and Instituting Contemporary Idea, November
“Just Pathetic”, Art Issues, November, p.33

1989

“Untitled”, contribution to publication for the exhibition “Loaded”, Richard Kuhlenschmidt Gallery, Los Angeles
“Horror of Nature” (collaboration with Tony Greene), Real Life Magazine, Winter, pp.21-24

1988

“Milzsucht und Ideal”, Revenge, Vol.1, No.1
“Notations Toward Deciphering Elements of Illness and Loss Through J.K. Huysman's
“Against Nature””, essay for exhibition catalogue Against Nature, Los Angeles Contemporary Exhibitions, Los Angeles

1993

Atlas Bar & Grill, Los Angeles (April)

1992

A Different Light Bookstore, West Hollywood (June)

1991

Blue Door Bookstore, San Diego (September)
Beyond Baroque, Venice, CA (July)
Los Angeles Contemporary Exhibitions, Los Angeles (July)
Southern Exposure, San Francisco (March)

1990

A Different Light Bookstore, San Francisco (December)
The Kitchen, New York (November)

1989

Otis Parsons, Los Angeles (November)
Simon Watson, New York (June)
Beyond Baroque, Venice CA (June)
Beyond Baroque, Venice CA (May)
Beyond Baroque, Venice CA (February)

1988

Beyond Baroque, Venice CA (October)

2000

Warhol Museum, Pittsburgh (www.warhol.org)

1999

“The Vampire Lecture Notes” (collaboration with Laurence Rickels)
University of Minnesota Press (no longer extant)

2008

California Community Foundation 2008 Fellowship for Visual Artists

2003

Otis College of Design Faculty Development Grant

2001

US/Japan Creative Artist Fellowship

1995

Art Matters Fellowship

2010

“Richard Hawkins: Third Mind”, Yale University Press

2008

“Richard Hawkins – Of Two Minds, Simultaneously”, Verlag der Buchhandlung Walther Konig, de Appel Centre for Contemporary Art, Amsterdam

2003

“Richard Hawkins”, Galerie Daniel Buchholz, Köln

2014

"The Crime Was Almost Perfect", Witte de Contemporary Art, Rotterdam, p.110, p.106

2013

“Sur le dandysme aujourd’hui”, Centro Galego de Arte Contemporanea, Santiago de Compostela, pp.10-15, 225-227 (cat)

2011

Jonathan Griffin, “Vitamin P2: New Perspectives in Painting”, Phaidon Press, pp.128-129
Michelle Cotton, “Camulodunum”, firstsite, Colchester, pp.46-48

2008

Christy Lange, “Art Now Vol 3”, Taschen, Köln, pp.228-231

2007

“Red Eye: L.A. Artists from the Rubell Family Collection”, The Rubell Family Collection, Miami
“10 Jahre Sammlung Sal. Oppenheim”, Sal. Oppenheim jr & Cie. S.C.A., Luxembourg, p.343

2006

Bruce Hainley and Liv Stolz, “Another History”, Milliken Gallery publication, Stockholm

2005

“The Blake Byrne Collection”, The Museum of Contemporary Art, Los Angeles, p.41

2003

John Waters and Bruce Hainley, “A New Kind of Arty Sex”, “Art - A Sex Book”, Thames & Hudson, London, pp.134-143
John Waters and Bruce Hainley: “Nine Sex Questions - Richard Hawkins”, “Art - A Sex Book”, Thames & Hudson, London, p.190

1999

Susan Handel, "Cream-Contemporary Art Culture", Phaidon Press, London, pp.172-175

1995

“Narcissistic Disturbance”, exh. cat. Otis Gallery, Otis College of Art and Design, Los Angeles, pp.27-28

2022

Christian Liclair, “Richard Hawkins: The Forrest Bess Variations”, Brooklyn Rail, April 23

2021

Richard Hawkins, Dennis Cooper and Christopher Bollen, “Dennis Cooper and Richard Hawkins on Books, Naked Bodies, and OnlyFans.” Interview. Summer Issue, 537, pp.140-143

2020

Xavier Dolan, Richard Hawkins and Christopher Bollen. “Richard Hawkins and Xavier Dolan On Sex, Violence and Celebrity Worship.” Interview, Spring Issue 531, pp.150-157

2019

Richard Hawkins, "A painting which serves as bait for young and beautiful souls: Beware, 2018", Starship. Winter, p.15
Charlotte Jansen, “What is Sperm Cult?” Elephant, March 18
Hanno Hauenstein, “Is This a Man’s World? Two Exhibition in Germany Reflect on the Alleged Crisis of Masculinity”, Frieze, November 21
Johanna Fateman, “Richard Hawkins Greene Naftali.” The New Yorker, April 8

2018

Sam Sifton, "What to Cook This Week." The New York Times. 11 February: Web.
Sabrina Tarasoff "Ghost Stories of Almost Nobody." Mousse. April-May: 176-183.
Kristian Vistrup Madsen, "Richard Hawkins: Layers of Loneliness and Longing." Frieze. 28 November
Osman Can Yerebakan, "Richard Hawkins: Hotel Suicide." The Brooklyn Rail. 7 February

2017

Thomas Duncan, “@richardhawkins01”, Carla Quarterly, Issue 8 (Summer)

2016

Andrew Durbin, Richard Hawkins, "Against Message", Mousse 53, April, pp.280-287

2015

Oliver Basciano, "Views London", Spike Art Quarterly #45, September, p.185
"Must See London", Artforum.com, July 20
Ekaterina Bazhenova, "Purple Diary - Richard Hawkins 'Hijikata Twist' exhibtion at Corvi-Mora, London", Purple.fr, July 8

2014

“The Crime Was Almost Perfect”, Wall Street International.com, July 8
Agnieszka Gratza, “Critic’s Pick, March”, ArtForum.com, March 27
“5 To See This Weekend”, Aesthetica Blog, AestheticaMagazine.com, March 20
Darren Pih, “Richard Hawkins: Hijikata Twist”, TheDoubleNegative.co.uk, March 13
Gaelle LeGrand, “’Hijikata Twist’, the other interpretation of Butoh by Ricard Hawkins”, BayTVLiverpool.com, March 6
Rachel Campbell-Johnston, “What’s on, critics’ choice”, The Times Saturday Review, Feburary 22, p.20
Carlton Whitfield, “Richard Hawkins: Hijikata Twist commissioned by Tate Liverpool”, PurpleRevolver.com, Feburary 5

2013

T’Neck Hizzelf, “Re’iew: Fun t’be had in works o’Bob Mizer an’ Tom o’Finland”, Yelosangelestimes.com, December 5
“In conversation with Richard Hawkins”, Gayletter, December
Mike Ciriaco, “The LA museum welcomes an exhibit featuring the work of Bob Mizer and Tom of Finland”, Frontiers LA, November 7
Yale Breslin, “Bob Mizer and Tom of Finland at MOCA”, Coolhunting.com, November 1
“In the Galleries: Bob Mizer and Tom of Finland”, Advocate.com, October 31
Sophie Van Vlierberghe, “Culture populaire et subversion”, Le Bien Public, October 18

2012

Dan Fox, “Whitney Biennial 2012”, Frieze, September
John Arthur Peetz, “Richard Hawkins”, artforum.com, February, 29

2011

Maximilian Geymüller, “Look Forward to What’s Already Gone By”, Spike, Issue 29, pp.64-73
Wolfgang Tillmans, “Best of 2011”, Artforum, December, pp.192-193
Catherine Wagley, “Unexpected Collaboration”, LA Weekly.com, November 9
Martin Herbert, “Camulodunum”, Art Monthly, November, pp.31-32
Liz Kotz, “Richard Hawkins; Hammer Museum, Los Angeles”, Artforum, Summer, pp.396-397
Kari Rayner, “Review of ‘Third Mind’”, Northwestern Art Review, February

2010

“Richard Hawkins”, Artforum, December
Andrew Beradini, “Cruising Richard Hawkins”, Mousse Magazine, Issue #12
Skye Sherwin, The Guide (Guardian), November 6
Brooke Hodge, “Seeing Things: Richard Hawkin’s Haunted Houses”, New York Times Style Magazine, May 27

2009

Ken Johnson, “Art in Review: Richard Hawkins”, New York Times, December 18, C30
Martin Coomer, “Best of the Year ‘09”, Timeout, London, December 17-30, pp.66-67
Michael Ned Holte, “Best of 2009, No.10, Richard Hawkins, Entropy Place”, Artforum, December, pp.192-193
Richard Hawkins, “The Artists Artists: Best of 2009”, Artforum, December, p.97
“Media Gallery: Frieze Art Fair 2009”, www.thedailybeast.com, p.16
Edoardo Bonaspetti, “Richard Hawkins: A Special Project for Domus”, Domus, May, Issue 925, pp.129-131
Mariuccia Casadio, “Deduct”, Vogue Italia, No.704, April, p.155
Martin Coomer, “Richard Hawkins”, ArtReview, April
“Recommended: Richard Hawkins”, The Big Issue, February 16-22, p.31
Francesca Gavin, “Richard Hawkins”, Dazed and Confused, Issue 70, February, p.172
Philipp Kaiser, “Richard Hawkins Infinitely Desired”, Parkett, No.84, pp.6-14

2008

Andrew Berardini, “Cruising Richard Hawkins”, Mousse Magazine, No.12, January, pp.4,5,108-110
Michelle Grabner, “Critic’s Picks: Richard Hawkins”, Artforum.com, January
Sonia Campagnola, “Live from Los Angeles”, Flash Art, January/February, pp.136-138
Frank Wagner, “Normality Inside the Peanut Gallery”, in: exh. cat. “Just Different”, Cobra Museum, Amstelveen
Contribution in Starship, No.11, pp.50-51

2007

Michael Ned Holte, “On the Ground: Los Angeles”, Artforum, December, p.291
Dennis Cooper, “Galerie Dennis Cooper Presents… a Tiny Richard Hawkins Survey Show in Light of His Real World Retrospective”, denniscooper-theweaklings.blogspot.com, November
Katie Sonnenborn, “Good Morning, Midnight”, Frieze, October, p.275.
David Velasco, “Amsterdam: Richard Hawkins at De Appel”, Artforum, September, p.223
Amra Brooks, “Must See Art, Richard Hawkins at Richard Telles Fine Art”, LA Weekly, September 13-20, p.85
Holland Cotter, “Good Morning, Midnight”, New York Times, July 27, p.B30
Nikki Columbus, “Critic’s Picks”, Artforum.com, July
Doug Mc Clemont, “On Good Morning, Midnight Curated by Bruce Hainley at Casey Kaplan New York”, saatchi-gallery.co.uk, July 10
Michael Ned Holte, “Options, Not Solutions”, Afterall, Spring/Summer, pp.36-43
Dominic Eichler, “Variety Shows”, Afterall Journal 15 Spring/Summer, pp.44-52
Barry Schwabsky, “Richard Hawkins”, Artforum, March, p.337
Megan Sullivan and Francesca Lacatena, “An Interview with MAT”, MAT # 2, Berlin, pp.17-19

2006

Ossian Ward, “Richard Hawkins”, Time Out, December 19
Catherine Taft, Artforum.com, October 3-14
Michael Krebber, “Notes from the Slip Box”, Grey Flags, p.149
Joseph Wolin, “Richard Hawkins”, Time Out New York, June 15-21
Vivian Rehberg, “Le Voyage Intérieur”, Frieze, Issue 98, April, p.175
Antony Hudek, “Le Voyage Intérieur”, Flash Art International, March/April, p.54
Alex Farquharson, “Different Strokes”, Frieze, March, pp.14-15,134-139
Mark Wilshire, “Le Voyage Intérieur”, Art Monthly, March, pp.29-30

2005

Christopher Miles, “Richard Hawkins”, Artforum, February, pp.178-179
Terry Myers, “Richard Hawkins”, Modern Painters, February, p.107

2004

Michael Ned Holte, “Los Angeles”, artforum.com, December
“Richard Hawkins”, Artforum, October, p.265
Peter Abs, “Richard Hawkins - Daniel Buchholz”, Flash Art, No.238, October, p.132
Michael Krebber, “Notizen aus dem Zettelkasten”, Texte zur Kunst, September pp.157-159
Johanna Di Blasi, “Grün leuchtet der Wald”, Kölner Stadt-Anzeiger, June 22, p.24
Richard Hawkins, “Postmortem. Devil May Sign”, ArtUS, No. 3, June-August, pp.44- 45
Terry R. Myers, “Abstract to a Fault”, ArtReview, May, pp.58

2003

David Rimanelli, “Brush Stroke”, Artforum, Vol. XLII, No.3, November, p.46
Tamara Sussman, “Hans Broek, Taft Green, Richard Hawkins”, ArtUS, November/December, p.6
Richard Hawkins, “Top Ten”, Artforum, Vol. XXXiX, No.3, November, p.80
Alex Farquharson, “Richard Hawkins”, Frieze, September/October, pp.121-122
Leonore Welzin, Von Zombie-Objekten zu Pupurrot-Bildern”, Rhein-Neckar- Zeitung, No.221, September 24, p.9
Andreas Sommer, “Das Bild als Oberfläche für Nomadisierende Ideen”, Die Heilbronner Stimme, September 19

2002

Martin Coomer, Time Out, July 3-10, p.59
Glenn Waldron, “The Things We Do For Art”, i-D, May, pp.97-98
David Pagel, “MOCA Sampler is a Mixed Treat”, Los Angeles Times, February 8, pp.F1, F26

2001

Sadie Coles, “Mario Testino's Art Index”, Visionaire, May/June, p.7
Rainer Unruh, “Junge Kunst aus Kalifornien”, Kunstforum International, April/May, pp.384-385

2000

Richard Hawkins, “Top Ten”, Artforum International, November, p.52
Alex Farquharson, “Richard Hawkins”, Frieze,September/October, pp.121-122
“Collage Homage”, Gay Times, June, p.74
Martin Coomer, Time Out, No.1554, May 31-June 7, p.51

1999

Bruce Hainley, “Message to Michael”, Frieze, September/October, pp.72-77
Angus Ivy, “WOp:ANP Antwerp, Belgium”, ZINGMAGAZINE, Vol.3, Spring/Summer, pp.229-30
Bert Popelier, “Jonge Amerikanen”, De Financieel Economische Tijd, February 3, p.12
Luc Lambrecht, “Americaans En Toch Niet”, De Morgan, February 12, p.14
Michael Cohen, Flash Art, pp.131-132

1998

William Jaeger, “Shock Tactics: Contemporary Photography Flirts with Disaster”, Art New England, October/November, pp.20-21, 69
Christopher Miles, “Notes on Richard Hawkins, Lost Heads”, X-Tra, Vol.1, No.5, Spring/Summer, pp.5-6, 11-13
Holland Cotter, “Art in Review: Jochen Klein, Raghubir Singh Richard Hawkins, Scott Hug and Jeff Ono”, The New York Times, June 26, p.E38
Christopher Miles, “Un-real!”, Detour, April, p.80
Terry R. Meyers, ON PAPER, March/April, pp.52-53
Bruce Hainley, Artforum, March, p.106

1997

Bill Arning, “More”, Time Out New York, December. 24, p.59
Leah Ollman, Los Angeles Times, November 28, p.F31
Cathy Curtis, “The Cold Shoulder”, Los Angeles Times, (Orange County Ed.), October 21, p.F2
Ann Doran, Time Out New York, August 7, p.47

1996

Goings On About Town”, The New Yorker, August 5, p.14
Susan Kandel, Los Angeles Times, May 28, p.F2

1995

Lars O.Ericsson, “Tva Kronor Provocear Mer än Homoerotik”, Dagens Nyheter, November 1, p.B2
Thomas Connors, New Art Examiner, September, p.42
Deborah Wilk, Flash Art, Summer, p.76
Christopher Knight, “Last Chance for Eden: Selected Art Criticism by Christopher Knight”, (edited by Malin Wilson, forward by Dave Hickey), Art Issues, pp.309-312
Susan Kandel, “Taking an Intriguing Look at Three Distinct Visions”, Los Angeles, May 28, p.F2
Susan Kandel, “Hawkin's Latest on Male Desire: Decorative Not Edgy”, Los Angeles Times, April 13, p.F7
David Greene, “Beyond Etch-a-Sketch”, Los Angeles Reader, April, p.20

1994

Michael Duncan, “LA Rising”, Art in America, December, pp.72-83
William Wilson, “Irony Becomes Stale Second Time Around”, Los Angeles Times, September 28, Section F, pp.1-2
Judy Fayard, “Gehry's Diamond in the Rough”, Wall Street Journal Europe, June 10
Genevieve Breerette, “Tout Nouveau, Tout Beau”, Le Monde, June 8
Nancy Kapitanoff, “Giving Mixed Messages”, Los Angeles Times, May 6, p.F9
Curt Sanburn, “At Home with Male Erotica”, Out, April, pp.116-118
Terry Meyers, Art Issues, March/April, p.39
Rhonda Lieberman, “Revenge of the Mouse Diva: Karen Klimnik”, Artforum, February, p.81

1993

Susan Kandel, “Richard Hawkins”, Los Angeles Times, October 27, pp.F6-7
David Pagel, “TRI-Sexual”, Los Angeles Times, April 1, p.8
Michael Cohen, “The City Without Organs”, FlashArt, March/April, pp.67-70
Michael Duncan, Art Issues, January/February, p.36

1992

Lance Carlson, Artweek, December 17, p.17
David Pagel, “Fluff and Force”, The Los Angeles Times, December 3, p.F4
“From New-York”, BT-Bijutso Techno, October, p.134
Jennifer Marrs, “Simple Style with a Complex Meaning”, Courier, October 2, pp.15, 18
Dean Smith, Artweek, August 6, p.34
Kim Levin, “Choices”, The Village Voice, August 4, p.72
“Goings on About Town”, The New Yorker, July 27, p.9
Jennie David, “Buttholes, Bricabrac and Body Parts: Marginalia in “True Grit””, Gay and Lesbian Times, June 27, p.56
David Pagel, Art Issues, March/April, p.34

1991

“Feature Creatures”, Flash Art, November/December, p.152
Fred Fehlau, Flash Art, November/December
Dennis Cooper, “Openings”, Artforum, November, p.128
Susan Kandel, “LA in Review”, Arts, October, pp.103-104
Amy Gerstler, Artforum, September, pp.141-142

1990

Steve Abbott, “Gay Iconography, In Context”, Bay Area Reporter, September 20, p.35

1989

Richard Stephens, “Aspects of our Corporeal Selves”, Artweek, August 12
Judith Spiegel, “Brave and Troubled Voices”, Artweek, August 12
David Pagel, Arts, Summer
Fred Fehlau, “Whose Nature”, Art Issues, May
Doug Ischar, “Parallel Opressions”, Afterimage, February
Daryl H. Miller, “Tragedy of AIDS Epidemic Shades Varied Art Works in ‘Against Nature’”, Los Angeles Daily News, January 7
Doug Hirsch, “Art Column”, The Village Voice, January
Sunil Gupta, “Homosexualities: AIDS and Representations”, 10-8 Magazine
Robert Atkins, “How do You Photograph AIDS?”, The Village Voice, June 28

Art Institute of Chicago, Chicago
Astrup Fearnley Museum of Modern Art, Oslo, Norway
The University of Chicago Booth School of Business, Chicago
Hammer Museum, Los Angeles
Hessel Museum of Art, Annandale-on-Hudson Los Angeles County Museum of Art, Los Angeles MOCA, Los Angeles
Museum of Modern Art, New York
Stedelijk Museum, Amsterdam
Tate Collection, London, United Kingdom
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York
Williams College Museum of Art, Williamstown, MA