ROGER HIORNS

Born in Birmingham, 1975
Lives in London

1991-1993 Fine Art Foundation, Bournville College, Birmingham, UK
1996 BA Fine Art, Goldsmiths College, London

Solo Exhibitions

2012

Corvi-Mora, London

2011

Annet Gelink Gallery, Amsterdam

2010

Aspen Art Museum, Colorado

The Art Institute of Chicago, Chicago

2009

"Turner Prize", Tate Britain, London

Marc Foxx, Los Angeles

2008

Corvi-Mora, London

"Seizure", Harper Road, An Artangel/Jerwood Commission, London

2007

The Church of Saint Paulinus, Richmond, North Yorkshire                     

"Glittering Ground", Camden Arts Centre, London

Marc Foxx, Los Angeles

2006                    

Cubitt Gallery, London

Milton Keynes Gallery, Milton Keynes

Galerie Nathalie Obadia, Paris

Corvi-Mora, London

2003

Corvi-Mora, London
UCLA Hammer Museum, Los Angeles
Art Now, Tate Britain, London
Marc Foxx, Los Angeles

2001

Corvi-Mora, London

Group Exhibitions

2012

Smith's Row, Bury St Edmunds

"News From Nowhere", firstsite, Colchester

"The Lot's Wife", Salisbury Arts Centre, Salisbury

"Out of Control", NEST, The Hague

2011

"The Sculpture Show", Scottish National Gallery of Modern Art, Edinburgh

"September 11", MoMA PS1, New York (cat)

"A Fire in the Master’s House is Set", Chapter, Cardiff

"British Art Show 7: In the Days of the Comet", Tramway, Glasgow (cat)

"The Shape of Things To Come: New Sculpture", Saatchi Gallery, London

"British Art Show 7: In the Days of the Comet", Hayward Gallery, London (cat)

"Dystopia", CAPC Museé d’art Contemporain de Bordeaux, Bordeaux

2010

"Art of Ideas: The Witching Hours", Birmingham Museum and Art Gallery, Waterhall Gallery, Birmingham (cat)

"British Art Show 7: In the Days of the Comet", Nottingham Contemporary, Nottingham

"Profusion", Calke Abbey, Derbyshire

"Gerhard Richter and the disappearance of the image in contemporary
art", Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi,
Florence

"Crash", Gagosian Gallery, London

2009

Marc Foxx, Los Angeles

"The Knight's Tour", De Hallen Haarlem, The Netherlands

"The Quick and the Dead", Walker Art Center, Minneapolis

2008

"A Life of Their Own", Lismore Castle Arts, Co. Waterford, Ireland

Galerie Diana Stigter, Amsterdam

Busan Biennale, Busan, Korea

"Legende", Centre d’ Art Contemporain, Charamande, France

"Run Run", The Collins Gallery, University of Strathclyde, Glasgow

"Thyssen-Bornemisza Art Contemporary as Aleph", Kunsthaus Graz,

Graz

"Stain Pattern", Annet Gelink Gallery, Amsterdam (curated by Glenn

Sorensen)

2007

"If Everybody And an Ocean. Brian Wilson an Art Exhibition", CAPC Musée d'art Contemporain, Bordeaux

"Fusion Now! More Light, More Power, More People", Rokeby, London

"Grit and Vigor", Licht & Sie, Dallas 

"Destroy Athens", 1st Athens Biennial, Athens

"Insubstantial Pageant Faded", Western Bridge, Washington

"Ultramoderne",  Espace Paul Wurth, Luxembourg

"Good Morning, Midnight", Casey Kaplan, New York (curated by Bruce

Hainley)

"Still Life", Meadow Gallery, Hanbury Hall, West Midlands

Sculpture Biennale, Jesus College Cambridge

"You Have Not Been Honest", MADRE, Naples

"If Everybody And an Ocean. Brian Wilson an Art Exhibition", Tate St Ives,

St Ives, UK

"Echo Room", Alcalá 31, Madrid

2006

Corvi-Mora, London

"How to improve the World; 60 Years of British Art", Hayward Gallery, London (The Arts Council Collection)
"Le Retour de la Colonne Durutti", Isabella Bortolozzi, Berlin
"Refract", Marc Foxx, Los Angeles

2005

"Jaybird", Galleria Zero, Milano
"British Art Show 6", BALTIC Centre for Contemporary Art, Gateshead (touring exhibition organised by the Hayward Gallery)
"The Way We Work Now", Camden Arts Centre, London
"ETC.", Le Consortium, Dijon
"Le Voyage Interieur, Paris-London", Espace EDF Electra, Paris
"Sculpture new spirit", Galerie Nathalie Obadia, Paris
Marc Foxx, Los Angeles
"Sculptures d'Appartement", Musee Departemental d'Art Contemporain, Rochechouart, France
"Water Event" by Yoko Ono, Migros Museum für Gegenwartskunst, Zürich; Astrup Fearnley Museet for Moderne Kunst, Oslo
"Still Life", Museo de Arte de Lima, Peru

2004

"The Fee of Angels", Man in the Holocene, London
"Trailer", Man in the Holocene, London
"Reflections", Artuatuca Art Festival, Tongeren, Belgium (cat)
"The Futurians", Taro Nasu Gallery, Tokyo (cat)
"Into My World", The Aldrich Contemporary Art Museum, Ridgefield, CT (cat)
"Still Life", Museo de Arte Contemporáneo, Rio de Janeiro
"A Secret History of Clay", Tate Liverpool, Liverpool (cat)
"Particle Theory", Wexner Center for the Arts, Columbus, Ohio
"Daddy Pop", Anne Faggionato, London (cat)
"Candyland Zoo", Herbert Read Gallery, Kent Institute of Art & Design, Canterbury (cat)

2003

"Help", Els Hanappe Underground, Athens
"Honey, I rearranged the collection", 1a Kempsford Road, London
"Hidden Agenda or Hide and Seek", ACME, Los Angeles
"New Work", Corvi-Mora, London
"Still Life", Museo Alejandro Otero, Caracas; Buenos Aires; Centro Cultural Parque de España, Rosario; Biblioteca Luis Angel Arango; Bogotá
"Architecture Schmarchitecture", Kerlin Gallery, Dublin

2002

"Still Life", Museo Nacional de Bellas Artes, Santiago, Chile; touring British Council exhibition (cat, text by Ann Gallagher)
"The Galleries Show: Contemporary Art in London", The Royal Academy of Arts, London
"The Dirt Of Love", The Mission, London
"Shimmering Substance", Cornerhouse, Manchester
"The Ink Jetty", Neon Gallery, London
"Shimmering Substance", Arnolfini, Bristol (cat)
"Exchange", Richard Salmon Gallery, London

2001

Neon Gallery, London
"Looking With/Out", East Wing Collection, Courtauld Institute of Art, London
"Modern Love", Hobbypop Museum, Dusseldorf

2000

Corvi-Mora, London
“British Art”, Diehl Vorderwuelbecke, Berlin
"Shot in the Head", Lisson Gallery, London
"Heart and Soul", Sandroni Rey, Venice, CA
"Point of View", Richard Salmon Gallery, London
"...comes the spirit", Jerwood Gallery, London
"Tim Gardner, Roger Hiorns, Jason Meadows, Glenn Sorensen", Corvi-Mora, London

1999

"Roger Hiorns, Enrico David, Clare Stephenson", Transmission Gallery, Glasgow
"newBuild", Platform Gallery, London
"Heart and Soul", 60 Long Lane, London
"Manufacturers", Paper Bag Factory, London
"The Great Hall", Bury St Edmonds Art Gallery, UK

1998

"Resolute", Platform Gallery, London
"True Science", Gallery K, Hamburg
"Cluster Bomb", Morrison Judd Gallery, London
"Super Nature", Studio A, London
"Micro", Hales Gallery, London

1997

"Olympic Village", Transmission Gallery, Glasgow
"European Couples and Others", Transmission Gallery, Glasgow
"Latest Acquisitions", Bund, Kensington, London
"Through the Looking Glass", Channel Four Television, London
"Gang A Bong", Goldsmiths College, London

Projects

2006

Performance of the monologue 'Benign', Serpentine Gallery, London

2005

Merce Cunningham Dance Company; Event, Barbican, London

Curated Exhibition

1999

"Heart and Soul", 60 Long Lane, London

Monographic Publications

2008

"Seizure: Roger Hiorns ", Artangel, UK

2006

"Roger Hiorns", Cornerhouse Publications, Milton Keynes Gallery, UK

Other Publications

2012

"Made in the UK; Contemporary Art from the Richard Brown Baker Collection", Museum of Art, Rhode Island School of Design, pp.40-41

2011

Peter Eleey, "September 11", MoMA PS1, pp.134-134

Charles Jencks, "The Story of Post Modernism", Wiley, pp.49, 188-189

Mark Von Schlegell, "New Dystopia", Sternberg Press, pp.91 & 152

"The Shape of Things To Come: New Sculpture", Saatchi Gallery, London, pp.48-53, 114

Lisa Le Feuvre and Tom Morton, "British Art Show 7: In the Days of the Comet", Hayward Publishing, London, pp.86-89

2010

Henry Werner, "Modern Art For Sale: Les Plus Grandes Foires et Salons d’Art Au Monde", Feymedia, Dusseldorf, p. 169

"Contemporary Collecting: The Donna and Howard Stone Collection", Art Institute of Chicago, p.141

"Gerhard Richter and the disappearance of the image in contemporary
art", Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi,
Florence, Alias, pp.96-101

2009

David Bussel, "Looking at Display. Images of Contemporary Art in London Galleries", Rachmaninoffs, London, p.23

Christian Rattemeyer, Brian Sholis , "The Judith Rothschild Foundation

Contemporary Drawing Collection: Catalogue Raisonne", The Museum of

Modern Art, New York

Hans Ulrich Obrist, "Experiment Marathon", Reykjavik Art Museum, Serpentine Gallery, Koenig Books, pp.66, 74-75, 112, 123, 137

"The Quick and the Dead", Walker Art Center, pp.222-223

"British Council Collection: Passports", British Council, Cover, pp.100-101

"Passports. In Viaggio Con L’Arte", Silvana Editoriale, Milano, pp.106-107

"Voids: A Retrospective", JRP Ringier, Zürich  and Ecart Publications, Geneva, p.306

"Passports", British Council Collection, British Council, London

2008

Tom Morton, "Expenditure", Contemporary Art Exhibition, Busan Biennale, pp.146-147

Hans Ulrich Obrist, "Formulas For Now", Thames and Hudson, p.86

Alexis Vaillant, "Legende", Sternberg Press, Berlin

"Semaines, Digestive System", Analogues, Les Presses du Reel, pp.37-48

"New Perspectives in Sculpture and Installation", Vitamin 3-D, Phaidon, pp.150-151

2007                                                           

Judith Collins, "Sculpture Today", Phaidon, pp.202-203

"You Have Not Been Honest", Cornerhouse Publications, British Council

"Destroy Athens", 1st Athens Biennale, pp.158-159

"Voids", Centre Pomipdou, Kunsthalle Bern, JRP Ringier

2006

"Frieze Projects, Artists' Commissions and Talks", Thames & Hudson, London, p.98-99

2005

Alex Farquharson, "Brian Wilson: An Art Book", Four Corners Books

2004

"Do It", edited by Hans Ulrich Obrist, Revolver and e-flux
"Now and Then", Tate Publishing, Tate Britain, London, pp.30-35
"Reflections", Artuatuca Art Festival, Tongeren, Belgium
"The Futurians", Taro Nasu Gallery, pp.18-21 & 33
"Into My World", The Aldrich Contemporary Art Museum Publications, pp.28-31
"A Secret History of Clay: from Gauguin to Gormley", Tate Publishing, Tate Liverpool, p.18, 86
"Daddy Pop - The Search for Art Parents", Anne Faggionato, London, pp.17-18, 59

2003

"Still Life", Cornerhouse Publications, The British Council, pp.13-14, 39,95

2002

Matthew Arnatt, "100 Reviews 2002", Alberta Books, London
"Shimmering Substance" and "Viewfinder", Cornerhouse Publications, Arnolfini, Bristol, UK

1998

"The New Neurotic Realists", Saatchi Gallery Publications, London

Bibliography

2012

Skye Sherwin, "Artist of the Week 184: Roger Hiorns", guardian.co.uk, April 5

Martin Herbert, "Roger Hiorns", Time Out, March 22 -28, pp. 49

2011

Katy Cowan, "Scottish National Gallery of Modern Art announces definitive look at 110 years of Sculpture", CreativeBoom.co.uk, December 16

Coline Milliard, "Artist Roger Hiorns on Post-9/11 Life, and Why He Would Like to Bury a Jumbo Jet", Artinfo.com, December 8

"Roger Hiorns to bury Airbus under the UK", Phaidon.com, December 7

Steven Stern, "September 11", Frieze, November-December, p.128

Véronique Mortaigne, "Le 11-Septembre était déja là avant", LeMonde.fr, October 22

Andrea K. Scott, "Critic’s Notebook; Speak Memory", The New Yorker, September 12, p.8

Stefano Pilati, "Inside Biophilia", Dazed & Confused, August, pp.82-83

Susanna Davies-Crook, "Roger Hiorns Times Two", dazeddigital.com, April

Michael Glover, "The best of British Art, Seen in a New Light", The Independent, February 16

Ossian Ward, "British Art Burns Bright", Time Out, March 3-9

"Arts Council Collection New Acquisitions 2010-2011", Arts Council, Front Cover

Nicola Bozzi, "Roger Hiorns", Art Slant, January

Kees Keijer, "Kunstwerken van badschuim en koehersenen", Het Parol, January 24

Sandra Smallenburg, "Roger Hiorns in Annet Gelink Gallery", NRC Handelsblad: Cultural Supplement, January 14, p. 15

"Roger Hiorns at Aspen Art Museum", Contemporary Art Daily, January 5

JJ Charlesworth, "How to survive as an artist: Interview with Roger Hiorns", Metropolis M, December/January pp. 28-35, pp. 99-101

Louise Jury, "Naked flame… art buffs take revealing role in installation", Evening Standard, February 15

Mark Brown, "Great Fire of London: hottest art back after 21 years", Guardian, February 16      

2010

Dorothy M. Atkins, "The Powers of Objects in Art", Aspen Daily News Online, December 16

Richard Dorment, "The British Art Show", Telegraph.co.uk, November 1

"Roger Hiorns", Thisistomorrow.org, August 1

"The Art Institute of Chicago", e-flux, May 16

"British Artist Roger Hiorns Creates Sculpture for Art Institute", Artdaily.org, May 13

"Roger Hiorns commissioned at Art Institute Chicago", Flash Art online.com, May

"Review: Roger Hiorns/Art Institute of Chicago", Newcity Art, May 10

J.J. Charlesworth, "It’s So Predictable", Art Review, January/February, p.32

Alexis Vaillant, "Looking Back: Solo Shows", Frieze, January/February, pp.87-89

James Rondeau, "Looking Back: Solo Shows", Frieze, January/February, pp.87-89

2009

"Anti-Hirst; How Artists Roger Hiorns Became Britain’s Most Interesting Artist", Kelowna.com, December 5

Yaji Huang, "Art Star: Roger Hiorns", Contemporary Chinese Art News, December, Number 59, p.124

Bruce Millar, "Roger Hiorns. The Master Alchemist Discusses His Work", The Art Newspaper, October 15, p.11

Jo Steele, "An Egg and Moon Race for the Turner Prize", Metro, October

6, p.11

Steve Pill, "Putting and End to the Shock Tactics", Metrolife, October 6,  pp.30-31

Tom Lubbock, "Are We Losing the Art of Surprise?", The Independent,

October 6, p.12

Adrian Searle, "Here Comes the Egg Men", The Guardian, October 6, pp.20-21

Ben Hoyle, "History Repeats Itself as Late Addition to the Turner Prize Proves a Little too Diverting", The Times, October 6, p.15

Richard Dorment, "The Favourite Versus the Dazzling Outsider", The Daily Telegraph, October 6, p.31

Jeremy Deller, "Ingredients for a Turner Prize – Dust, Bones and a Freeze-Dried Cow Brain", The Guardian, October 6, p.15

Rashid Razaq, "Ashes to Ashes…Dust, Skulls and Cow Brains on the Turner Prize Shortlist", Evening Standard, October 5, p.3

Alexa Baracaia and Jessica Holland, "The 20 Hottest Art Shows This Autumn", The London Paper, September 8, p.14

Steven Stern, "The Quick and the Dead", Frieze, September, pp.134-135

Charlotte Higgins, "Crowd Pleasers Dominate Turner Shortlist", The Guardian, April 29, p.13

Ben Hoyle, "The Draughtsman, Surrealist, Graffiti Artist and Alchemist Who Rescued The Turner Prize", The Times, April 29, p.2

Jane Ure-Smith, "The British Council’s Collection is Home at Last", financialtimes.com, March 9

Bethany Halford, "Concocting a Crystalline Lair", Chemical & Engineering News, January 5, pp.30-31

Nancy Princenthal, "Roger Hiorns Artangel and Corvi-Mora", Art In America, January, p.122

2008  

Gilda Williams, "Review: Roger Hiorns", Artforum, December, pp.331-332

Stefano Collicelli Cagol, "Seizure", Domus, December

William Wiles, "Review: Seizure", Icon Eye (Icon Magazine 065 Online), November

Oliver Gili, "Last Chance to See: Seizure by Roger Hiorns", Londonist, November 24

Hugh Pearman, "My Blue Heaven", The Sunday Times, November 9

Paul Carey-Kent and Vici MacDonald, "Roger Hiorns", Art World, October/November, pp.88-90

J.J. Charlesworth, "Voodoo Modern", Art Review, October

Jonathan Jones, "Don’t Miss Seizure, the Blue Crystal Wonder", The Guardian Blog, October 29   

Alice Rawsthorn, "Ceding Control to a World of Random Beauty", International Herald Tribune, October 13

Beena Nadeem, "Room With a Magical View", Inside Housing, October 3

Liz Hoggard, "Rhapsody in Blue Crystal", Evening Standard, September 30

Jonathan Jones, "Digital Cameras Give us Another Way of Enjoying Art", Guardian Blog, September 11

Richard Cork, "From Council Flat to Crystal Cave", Financial Times, September 5

Adrian Searle, "Don’t Forget Your Wellies…", The Guardian, G2, September 4, p.28

Helen Sumpter, "Chemical Brother", Time Out, September 4-10, p.54

Alastair Sooke, "Seizure: Neptune’s Grotto Shimmers in a Council Flat", The Daily Telegraph, September 3

Steve Pill, "He’s Having a Crystal Ball", Metro, September 3, p.39

Elizabeth Day, "Approach at Your Peril", The Observer, August 31, p.27

Catherine Croft, "Growing Crystals from Architecture", Building Design online, August 29

Brian Sholis, "Roger Hiorns: 500 Words", artforum.com, August 28

Fiona Maddocks, "Crystal Method for Roger Hiorns", Evening Standard,

August 26

Skye Sherwin, "The Asphalt Jungle: Artangel", ArtReview, July-August

Alexander Kennedy, "The Art of Science", The List, Issue 600, April  

Martin Herbert, "1st Athens Biennale", Frieze, February, p.170

Junko Fuwa, "Roger Hiorns", Pen Magazine,  Edition 214, p.62 & 63

Nuno Rodrigues, "Nuclear Fusion and Art's Fission", Mute Beta, January 30

2007 

Jen Graves, “Not insubstantial”, The Stranger, Seattle, November 28

Justine Gaunt, “Roger Hiorns”, interface.a-n.co.uk, November

Katie Sonnenborn, “Good Morning, Midnight”, Frieze, October, p.275

Ossian Ward, “Handsome Young Doctor”, Time Out, August 10

Nikki Columbus, “Good Morning, Midnight”, artforum.com, August

Holland Cotter, “Good Morning, Midnight”, Art in Review: New York

Matt Price, "Out There: Contemporary Artists from the West Midlands",

New Birmingham Art,  pp.32-33             

Bruce Hainley, "Roger Hiorns", Artforum, March, pp.326-326

Mark Brown, "Wanted: crystal or council home", The Guardian, January 15

Jennifer Higgie, "Solo Show", Frieze, January-February, p.133

2006                   

Melissa Gronlund, "Monologue Nights", Frieze, October, pg.56

"Top 100 artists", Flash Art, October, pg 68

Michael Archer, "Best of British", Times Online, August 26, pg. 31

Morgan Falconer, "Talking, talking, always talking", Times Online, July 26
Roger Hiorns, Frieze, June/July/August, p.209
Richard Dorment, "Strange attraction of a maternal monster", The Telegraph, April 18

Alessandro Rabottini, "Jaybird", ArtReview, March, Volume 62, p.126
Andrew Marsh, "Roger Hiorns", Flash Art International, March/April, pp.114-115
Antony Hudek, "Le Voyage Intérieur", Flash Art International, March/April, p. 54
Tom Morton, "Looking Forward", Frieze, January/February, p.124 Neil Mulholland, "British Art Show 6", Flash Art International, January/February, p.100
Jessica Lack, "Roger Hiorns", The Guide (The Guardian), January 14-20, p.36

2005

Nanda Janssen, "Sign of the Times", Mister Motley, p.76-77
Roger Hiorns, "Questionnaire", Frieze, October, p.232
Tom Morton & Catharine Patha, "Accidents Never Happen", Frog, Issue 1, Spring, pp.52-55
Martin Herbert, "Roger Hiorns", Time Out, January 4

2004

Craig Burnett, "Pick of the Week", The Guardian, December 6, p.14
Xavier Dourox, "Retour de Présence", Zero Deux No.31, Autumn, pp.14-15
The Future, Issue One
Grace Glueck, New York Times, August 27
Emma Crichton-Miller, "Feats of Clay", RA Magazine, Summer, p.20
Melissa Nix, "Postmodern is passé", The Daily Yomiuri, July 29, p.18
Usuki Naoko, "The Futurians", What's New 09, ART iT, p.18
Tanya Harrod, "Serious play's feat of clay", The Times Literary Supplement, July 23, p.1
Morgan Falconer, "Breaking the Mould", V & A Magazine, Summer
JJ Charlesworth, "Roger Hiorns", Contemporary, Issue 64, pp.46-49
"A Secret History of Clay : from Gauguin to Gormley", Tate, p.18, 21, 86
"A Secret History of Clay", Ceramic Review, May/June, p.17
"A Secret History of Clay", Art of England, May/June, p.10
Philip Key, "Expect the unexpected", Daily Post, May 28
Bill Mayr, "Ordinary materials viewed in new ways", The Columbus Dispatch, May 22, p. C1
"What's On", The Art Newspaper, Issue 146, April, p.6
Anne Martens, "Roger Hiorns", Flash Art, January/February, pp.110-111
Dan Fox, "Roger Hiorns", Frieze, January/February, pp.94-95
Martin Herbert, "Roger Hiorns", Artforum, January, p.166

2003

Morgan Falconer, "Contemporary Art", The Burlington Magazine, December, p.875
Time Out Athens, 13-19 November, p.89
Jessica Lack, "Picks of the week", The Guardian G2, November 10, p.18
"Poetry Review", The Poetry Society, Autumn, pp.77, 83, 87
Time Out, August 27 - September 3, p.53
Richard Cork, "Fire and ice", New Statesman, August 11, pp.28-30
JJ Charlesworth, "Roger Hiorns/David Musgrave", Art Monthly, April, pp.40-41

2002

Morgan Falconer, "The Galleries Show", Modern Painters, Winter, pp.142-143
José Zalaquett, "Vida Quieta", Capital, November 22
"Still Life", El Mercurio on Line, November 6
Carlos Navarrete, "Límite y continuidad", Nuevo Diseno, 05, pp.62-65 JJ Charlesworth, "Sign and substance in recent sculpture", Artext, Fall, pp.36-43
Tom Morton, "The crystal method", Frieze, October, pp.76-77
Jörn Ebner, "Exchange", Frankfurter Allgemeine Zeitung
Andrew Hunt, "Exchange and New Originals", Untitled, Spring, p.31
Paco Barragán, The Art To Come, pp.126-127
Ian Hunt, "Shimmering Substance", Art Monthly, June, pp.39-42
Andrew Hunt, "Exchange", Untitled, Issue 27, p.32
Sally O'Reilly, "Exchange", Frieze, May, pp.96-97
JJ Charlesworth, "Exchange", Contemporary, April, p.114
JJ Charlesworth, "Neon", Contemporary, March, p.94

2001

Morgan Falconer, Untitled, Autumn/Winter, p.32
Michael Archer, Artforum, December, p.131
Minnie Gastell, Donna, October, p.38
Mark Wilsher, What's On, October 3, p. 24-25
JJ Charlesworth, "Secret Secretions", Art Monthly, September, p.20-21

2000

JJ Charlesworth, "...comes the spirit", Art Monthly, June
Claire Bishop, Evening Standard, May 26, p.66
Helen Sumpter, Evening Standard, April 27, p.55
Jonathan Jones, The Guardian, April 21
Dan Crowe, Butterfly, Issue 5
Jörn Ebner, Frankfurter Allgemeine Zeitung, No 84, April 8, p.54

1999

Michael Archer, Artforum, November, p.153
Dave Beech, Art Monthly, November, pp.32-33
Helen Sumpter, Evening Standard, October 8
Lena Corner, ID Magazine, August, p.28
J.J Charlesworth, Art Monthly, July/August, pp.33-35
"The Saatchi Decade", Booth-Clibborn Publications

1998

Mark Currah, Time Out, August 26
Keith Patrick, Contemporary Visual Arts, Issue 20
Piers Masterson, Untitled Magazine, Issue 17, Autumn
Michael Wilson, "Micro" Catalogue
Jane Burton, "The New Neurotic Realists", The Express, June 6

David Lister, "Sorry Damien, However Hard You Try, You've Become Passé",
The Independent, May 30

Updated April 2012